BLOODCRIES is born from pressure, what happens when restraint holds for too long and finally learns to speak.

Anchored by The Frostbark and The Shrills Top, this range explores silence as a weapon and desire as an act of resistance. Structured denim is crushed, set, and hardened by hand to mimic barked surfaces, armour that remembers impact. The Frostbark stands rigid yet responsive, sleeveless and cropped, exposing defiance without softness. It doesn’t drape. It holds.

The Shrills Top answers differently. Sculpted to cling, cut, and command, it moves like a siren mid-song, sharp lines softened by fluidity, tension pulled tight against the body. It frames power and allure in equal measure, never asking permission, never needing volume.

Every detail is deliberate: the pressure of the fit, the control in the construction, the drama that lingers without spectacle. This is not comfort. This is seduction sharpened.

Bloodcries is for moments when silence feels louder than sound.
When being heard doesn’t require a voice.
When desire turns violent.

Cold in finish.
Lethal in intention.